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29.07.2017

The Papin SIsters

Christine and Léa Papin
From Wikipedia, the free encyclopedia



Léa and Christine Papin (left to right)

Christine Papin (8 March 1905 – 18 May 1937) and Léa Papin (15 September 1911 – 1982, or 24 July 2001) were two French sisters, live-in maids, who were convicted of murdering their employer's wife and daughter in Le Mans, France, on 2 February 1933. This incident had a significant influence on French intellectuals Jean Genet, Jean-Paul Sartre and Jacques Lacan, who sought to analyze it, and it was thought of by some as symbolic of class struggle. The case has formed the basis of a number of publications, plays and films as well as essays, spoken word, songs, and artwork.



Christine Papin, stated to be the main domineering influence

Christine and Léa had grown up in villages south of Le Mans. They grew up in an alcoholic household, abused by their father and neglected by their mother. They had an older sister, Emilia, who became a nun. Both of them spent time in institutions as a result of the breakdown of their parents' marriage. As they grew older, they worked as maids in various Le Mans homes, preferring, whenever possible, to work together.

From about 1926, they worked as live-in maids in the home of Monsieur René Lancelin, a retired solicitor, in Le Mans. The family was made up of his wife and adult daughter, who was still living with her parents (another daughter was married). The two maids were extremely quiet and retiring young women, who kept to themselves and appeared to have no interests but each other.

On 2 February 1933, Monsieur Lancelin was supposed to meet his wife and daughter for dinner at the home of a friend. When they did not turn up, he was concerned and went back to their home. He was unable to get into the house because the doors were locked on the inside, but he could see the glow of a candle through the window of the maids' room. He then went to the police and one of them got into the house by climbing over the back wall. Inside, he found the bodies of Madame Lancelin and her daughter. They had both been beaten to the point of being unrecognisable, and one of the daughter's eyes was on the floor nearby. Madame Lancelin's eyes had been gouged out and were found in the folds of the scarf around her neck. The two maids were found in their room upstairs, naked[1] in bed together. They confessed to killing the two women. The weapons used had been a kitchen knife, a hammer, and a pewter pot that had stood at the top of the stairs.

21.02.2017

‘The album is a love letter to men’: meet feminist supergroup Les Amazones d’Afrique

A collective of female stars including Angélique Kidjo, Mariam Doumbia and Nneka is singing out against gender inequality in west Africa over a soundtrack of funk, blues and dub
Les Amazones d’Afrique: left to right, Mariam Koné, Nneka, Mouneissa Tandina, Rokia Koné, Mariam Doumbia, Pamela Badjogo, Kandia Kouyaté and Mamani Keïta. Photograph: Tiago Augusto

‘We are sick of seeing women suffer because of violence,” says Pamela Badjogo, Afro-jazz and blues singer. “In the family, in the war zones. We want it to stop.”
Badjogo is a member of the supergroup Les Amazones d’Afrique, an all-female collective of west African musicians campaigning for gender equality. It might seem a worthy premise on which to build a powerful creative expression but their album République Amazone blends ancient rhythms seamlessly over funk and blues with dabs of dub. Tracks are sang intermittently in English, French and Mandinka, and tackle love, oppression and female empowerment. These 12 musicians and singers, among them Grammy-winning Angélique Kidjo, Mariam Doumbia of the legendary duo Amadou and Mariam, and international popstar Nneka, believe music can trigger change and be a weapon to address the systematic disempowerment of women across Africa.


The project itself began with just three Malian singers: Oumou Sangaré, Mamani Keïta and Doumbia. These towering, glamorous presences, well-known on the world music scene, spent time with Valerie Malot (of French music agency 3D Family) in Bamako, the capital of Mali, in 2014. She became their de facto manager. “I saw how beautiful their lives were – with their perfume, fashion, music and divination, and I found myself connecting more and more with them,” says Malot. The conversations they had around gender led to some big realisations. “What we found out was that female repression in the continent and in the world, is something that touches every woman. It’s not a question of colour, or culture. It’s something generic. All women can relate to it.”
While Sangaré (who would decide not to continue working on the project) had experienced polygamy and forced marriage, Keïta had spent many years in Paris struggling as a female musician. After Malot proposed the idea, they decided to come together to help support and raise money for the Panzi Foundation, which has treated more than 85,000 girls and women with gynaecological injuries in the Democratic Republic of Congo, over half of whom were survivors of sexual violence.

30.10.2016

Readings from the Slave Narratives




Veröffentlicht am 23.09.2015
Unchained Memories is a 2003 documentary film about the stories of former slaves interviewed during the 1930s as part of the Federal Writers' Project and preserved in the WPA Slave Narrative Collection. This HBO film interpretation directed by Ed Bell and Thomas Lennon is a compilation of slave narratives, narrated by actors, emulating the original conversation with the interviewer. The slave narratives may be the most accurate in terms of the everyday activities of the enslaved, serving as personal memoirs of more than two thousand former slaves. The documentary depicts the emotions of the slaves and what they endured. The "Master" had the opportunity to sell, trade, or kill the enslaved, for retribution should one slave not obey.
Narrated by: Whoopi Goldberg
Sarah Gudger, North Carolina (Vol. 11)— read by LaTanya Richardson
Charley Williams, Oklahoma (Vol. 13) – read by Ruben Santiago-Hudson
Martin Jackson, Texas (Vol. 16) - read by Robert Guillaume
Henry Coleman, South Carolina (Vol. 14) – read byRoscoe Lee Browne
Jennie Proctor, Texas (Vol. 16) – read by Oprah Winfrey
Elizabeth Sparks, Virginia (Vol. 17) – read by Angela Bassett
Rosa Starke, South Carolina (Vol. 14) --
Cato Carter, Texas (Vol. 16) – read by Roger Guenveur Smith
Mary Reynolds, Texas (Vol. 16) – read by Angela Bassett
Rev. Ishrael Massie, Virginia –
Fannie Berry, Virginia – read by CCH Pounder
Mary Estes Peters, Arkansas (Vol. 2) – read by Jasmine Guy
Sarah Ashley, Texas (Vol. 16) – read by LaTanya Richardson
Charles Grandy, Virginia — read by Ruben Santiago-Hudson
William Colbert, Alabama (Vol. 1) – read by Courtney B. Vance
Katie Darling, Texas (Vol. 16) – read by Jasmine Guy Jasmine Guy
Vinnie Brunson, Texas (Vol. 3) – read by Vanessa L. Williams
Fannie Berry, read by CCH Pounder
Jack & Rosa Maddox, Texas (Vol. 7) – read by Ossie Davis and Ruby Dee
Mary Reynolds, Texas (Vol. 16) – read by Angela Bassett
Louisa Adams, North Carolina (Vol. 11) – read by LaTanya Richardson

16.08.2015

Modern Inquisitions

Afro-Peruvian servants in Lima, early 19th century

Looking for a precedent that eased the way for "civilized" people to embrace fascism in the twentieth-century, Hannah Arendt found it in nineteenth-century colonialism, with its mix of bureaucratic rule, racial superiority, and appeals to rationality. Modern Inquisitions takes Arendt's insights about the barbaric underside of modern Western civilization and moves them back in time several hundred years to the sixteenth and seventeenth centuries, when the Spanish empire dominated the globe. Irene Silverblatt argues that the modern bureaucratic state developed in tandem with colonialism and that its genesis is especially evident in the machinations of Spanish Inquisition. She illuminates the intricate "dance of bureaucracy and race" evident in the Inquisition's persecution of scores of Spanish subjects in colonial Peru. Drawing on extensive archival research in Lima, Silverblatt highlights what Spanish trial records, evangelizing sermons, and missionary guides say about how the emerging modern world was understood, experienced, and constructed by colonists and Inquisition officials: Early missionaries preached about world history and the "races" that inhabited the globe; Inquisitors, able bureaucrats, turned executions into "reasons of state"; royal authorities spoke of grand conspiracies of Jews, merchants, Indians, and blacks; "stained" blood--carried by Indians, blacks, and those of Jewish and Moorish descent--became marks of deficient character and ability. Engaging with the state formation theories not only of Arendt but also of others including Max Weber, Michel Foucault, Pierre Bourdieu, and Mick Taussig, Modern Inquisitions forces the reader to confront the idea that the modern state, with its capacity to rationalize extreme violence, is in fact a product of the Inquisition rather than a progression beyond it.