Posts mit dem Label feminism werden angezeigt. Alle Posts anzeigen
Posts mit dem Label feminism werden angezeigt. Alle Posts anzeigen

02.07.2017

Feminism Must Be Lived: An Interview With Sara Ahmed

Sunday, May 21, 2017 By Jaskiran Dhillon, Truthout | Interview


Sara Ahmed. (Photo: Duke University Press)

What does it mean to be a modern feminist? In her new book, Sara Ahmed shows the connections between theory and practice, the academy and the everyday, home and work. Bitch Magazine says: "Beautifully written and persuasively argued, Living a Feminist Life, is not just an instant classic, but an essential read for intersectional feminists." Order your copy today by making a donation to Truthout!

Sara Ahmed's accessibly written and visionary Living a Feminist Life is a much-needed antidote to the disconnection between feminist thinking and being. The book has emerged against a political backdrop marked by the rise of the Trump regime, a historic Women's March on Washington and International Women's Strike, an increase in the visibility of feminist activism on social media and the rise of celebrity feminists. "Feminism," as Ahmed remarks in the opening pages, "is bringing people into the room." The amplification of feminism, however, also demands that we stop to consider what being a feminist really means. Drawing on decades of experience as a feminist writer, scholar and activist, Ahmed takes us on this critical journey with candor, brilliance and a deep commitment to social transformation. Feminism, Ahmed contends, is not simply about participating in protests and rallies or writing theory in the academy. Nor is it to be understood as a responsibility that waxes and wanes with convenience. It is, above all else, about how to live.

From cover to cover, Ahmed urges us to keep our fists raised high as we move closer to a feminist vision of the future that unfolds in step with the active dismantling of our profoundly unjust and violent present. She reminds us to be intrepid and willful in our political resistance -- to learn from the wisdom and knowledge of warrior women of color whose legacies, histories and experiences are etched on our contemporary path to justice and freedom (these issues have long existed). Ahmed challenges us to embody our feminist politics as a radical ethics of living in the everyday dimensions of our social world, to claim all spaces as political, and to strategically strike down the "brick walls" that blockade and stifle our movements. In short, Living a Feminist Life aims to both awaken and set free the "feminist killjoy" that resides in each of us.

Jaskiran Dhillon: Let's begin with you elaborating on the central theme of the book -- making feminism the practice of everyday life.

Sara Ahmed: I think of feminism as a life question; a question of how we live our lives given that the structures we wish to transform are structures that persist. We have to live with what we wish to transform. As a feminist working in the academy, though, I sensed that what was taught and known as "feminist theory" had become somewhat disconnected from the questions of how to live, and the questions themselves relegated to an earlier outdated style of feminism. I wanted to bring feminist theory, too, back to life -- strengthening the ties between the inventive creation of feminist theory and living a life that sustains it.

To be a feminist is to be a feminist everywhere. Feminism is not a commitment that can be suspended when it is inconvenient. But that does not mean feminists share the same commitments or that it is always clear how that commitment should express itself! Work is part of everyday life. When we live a feminist life we are a feminist at work. Feminism means being attentive to power relations at home and at work, being willing to challenge abuses of power, being willing to support those who are challenging abuses of power. It means being aware of who is doing the work, especially the housework (in institutions, housework is called administration); it means striving to make workloads more equal (including by attending to how they are not); it means becoming attuned to who can access a space because of how it is arranged or inhabited (and who cannot). Feminism is about questioning everything about our shared social world. This is not an imposition. It is an invitation to open up what tends to work by being closed down.

I love the emphasis you place on the role of intergenerational knowledge in shaping feminist living. Who influenced your development as a feminist?

My auntie Gulzar Bano was very important to me. She self-identified as a feminist; she was involved in the women's movement in Pakistan. She believed strongly in what she called woman power. Her particular concern was literacy for girls. She was an inspiration, too, in how she lived her life. Because she did not get married and have children she was able to invest her time and energy in feminist projects of all kinds. She wrote feminist poetry: I cherish the collections in which her poems appeared as well as the books she published. Her words were always animated by her concern with the effects of violence and injustice. I think I learned the importance of writing our politics from her. She also developed a strong support network for women in the wider family; her sisters and nieces. Sometimes she used to call me her daughter; I think she saw us as deeply connected, as if my life was following in some way from hers. I hope so. She was my feminist auntie in all the ways that expression can have meaning. We all need feminist aunties!

21.02.2017

‘The album is a love letter to men’: meet feminist supergroup Les Amazones d’Afrique

A collective of female stars including Angélique Kidjo, Mariam Doumbia and Nneka is singing out against gender inequality in west Africa over a soundtrack of funk, blues and dub
Les Amazones d’Afrique: left to right, Mariam Koné, Nneka, Mouneissa Tandina, Rokia Koné, Mariam Doumbia, Pamela Badjogo, Kandia Kouyaté and Mamani Keïta. Photograph: Tiago Augusto

‘We are sick of seeing women suffer because of violence,” says Pamela Badjogo, Afro-jazz and blues singer. “In the family, in the war zones. We want it to stop.”
Badjogo is a member of the supergroup Les Amazones d’Afrique, an all-female collective of west African musicians campaigning for gender equality. It might seem a worthy premise on which to build a powerful creative expression but their album République Amazone blends ancient rhythms seamlessly over funk and blues with dabs of dub. Tracks are sang intermittently in English, French and Mandinka, and tackle love, oppression and female empowerment. These 12 musicians and singers, among them Grammy-winning Angélique Kidjo, Mariam Doumbia of the legendary duo Amadou and Mariam, and international popstar Nneka, believe music can trigger change and be a weapon to address the systematic disempowerment of women across Africa.


The project itself began with just three Malian singers: Oumou Sangaré, Mamani Keïta and Doumbia. These towering, glamorous presences, well-known on the world music scene, spent time with Valerie Malot (of French music agency 3D Family) in Bamako, the capital of Mali, in 2014. She became their de facto manager. “I saw how beautiful their lives were – with their perfume, fashion, music and divination, and I found myself connecting more and more with them,” says Malot. The conversations they had around gender led to some big realisations. “What we found out was that female repression in the continent and in the world, is something that touches every woman. It’s not a question of colour, or culture. It’s something generic. All women can relate to it.”
While Sangaré (who would decide not to continue working on the project) had experienced polygamy and forced marriage, Keïta had spent many years in Paris struggling as a female musician. After Malot proposed the idea, they decided to come together to help support and raise money for the Panzi Foundation, which has treated more than 85,000 girls and women with gynaecological injuries in the Democratic Republic of Congo, over half of whom were survivors of sexual violence.